The Art of Vitris

I decided to share some of my works here, especially the Miura related ones. Maybe this will also kinda work as a "diary" of my journey to become a cartoonist, which of course started because of the man himself. I'm one of the many he inspired to take this path, and I'll always be grateful to him.
So, lets start with something easy and light-hearted, which is also one of the most recent ones: the one and only chestnut Puck! (Reference: episode 345, volume 39)
 

Attachments

  • 20240302_111612.jpg
    20240302_111612.jpg
    62.4 KB · Views: 46
Last edited:
As you all know, today is Miura's birthday, so I thought it would've been nice to share this piece that I did a while ago, along with my thoughts and memories.
I think that remembering him is like experiencing Casca's dream, in some way: your mind goes back to the good times, when waiting and reading a new episode felt exciting every single time. You remember talking to other people about future developments and evey single detail in each panel.
And then you also remember the tragedy, and still ask yourself: "Why him?" Sadly, there's no answer to that. But that's how life is.
I started Berserk ten years ago, when I was 13, but I still remember vividly when I went into a comic book store to buy volume two, because they didn't have the first one. And then I got to volume 37 and I was like: "When's the next one coming?" I didn't know anything about the manga industry, nor Miura's schedule, so what I did was going to that store every single day (and I'm not exaggerating) to see if volume 38 came out. I didn't even ask the people there if there were any news. I knew it would be there, on their shelves, some day. I have to say I envy my younger self.
While waiting for the next volume, I started copying some panels from the manga here and there. I had stopped drawing at a very young age, but when I picked up a pencil again after all those years I didn't even ask myself why I was doing that. I just had to.
His last three volumes are the ones that I experienced episodically, and I feel lucky for that. The memories of seeing Guts finally getting to Skellig, the island's peacefulness and Casca's healing are forever engrained in my mind, and have become my favourite parts in the whole manga.
I don't think I could ever thank him enough for what he did, but doing pieces like this gives me some sense of peace and makes me better understand his work. I hope I can properly express my gratitude one day.
Here's to you, sensei.

(Reference: epispde 349, volume 39)
 

Attachments

  • Bonfire of dreams.JPG
    Bonfire of dreams.JPG
    465.3 KB · Views: 23
I've been working on this page for quite some time, but it's not done yet. This is only one panel, but I wanted to show it anyways. Definetly the hardest thing I've tried to do reguarding Miura's art.

(Reference: episode 360, volume 41)
 

Attachments

  • Screenshot_20240718-154707_Gallery.jpg
    Screenshot_20240718-154707_Gallery.jpg
    646.7 KB · Views: 29
This is a pretty old one. It's a miracle that I still have a (very low quality) photo of it, since I gifted it to someone years ago.

(Reference: episode 70, volume 12)
 

Attachments

  • Screenshot_20240723-034227_Gallery.jpg
    Screenshot_20240723-034227_Gallery.jpg
    140.3 KB · Views: 14
Our lord and saviour Schnoz is here to bless your day.

(Reference: episode 215, volume 25)
 

Attachments

  • Screenshot_20240723-234248_Gallery.jpg
    Screenshot_20240723-234248_Gallery.jpg
    179.6 KB · Views: 6
Back
Top